On Rape, Gender and Complexity at C/O Berlin
Laia Abril’s On Rape – And Institutional Failure is a small exhibition packed with written information, occupying the front three rooms of the upstairs gallery space at C/O Berlin.
Read MoreLaia Abril’s On Rape – And Institutional Failure is a small exhibition packed with written information, occupying the front three rooms of the upstairs gallery space at C/O Berlin.
Read MoreThe feeling that stayed with me after finishing Kleinstadtnovelle was not that puberty itself is the problem, but the hostile conditions in which it is supposed to happen.
Read MoreIt was in 2020 when D’orjay, debuting Shit My Shaman Says: Volume I, a work Axe Pulse agnate in its anti-linear subversiveness, first came upon my newsfeed.
Read MoreCOVEN hosted this beautiful reading in the summer of 2022 on the beach with authors Zinzi Buchanan, Inky Lee, Daniela Medina Poch, and Meghna Singh. We selected their articles as…
Read MoreEmotional as in congratulations, mental illness runs in the family. Also, coronary heart disease.
Read MoreWhen considering having a threesome, there are five very important questions you should ask yourself to have the hottest and most fun experience possible for all parties involved.
Read Morei see trees falling as they cannot ground/roots can’t hold onto anything /that would give them stability
Read MoreAs part of the large group exhibition titled How (Not) to Fit In – Metaphern der Adoleszenz at Villa Merkel, Galerie der Stadt Esslingen, in Esslingen, Germany, which ran from May 8 – July 17, 2022, COVEN BERLIN created the installation and environment we called AXE PULSE, eponymously named after our current magazine and curatorial theme (which can be read here).
Read MoreGabriela Gordillo is an artist, born in Mexico City and living and working since 2015 in Linz, Austria. In this piece, she reflects on the work that her father has undertaken for many years, since her adolescence — taking photographs of the moon — and juxtaposes it with her thoughts about Minute/Year, a durational sound-based installation artwork by Kata Kovács and Tom O’Doherty.
Read MoreIn my project “The Art of (Not) Forgetting”, which began in February 2021, around 4 months after the start of the protests in Belarus, I tried to use storytelling and photography as a means of opposing the regime of the last European dictator: Alexander Lukashenko. The idea that brought me to address these issues was prompted by the situation I was observing in my country since August 2020. During massive rallies against the rigged presidential election, one of the symbols used by the opposition was the white-red-white flag that refers to the period of an independent Belarus and dates back to 1918. Very soon the regime declared this combination was “extremist” and eventually banned. People wearing clothes, scarves, bracelets, and even socks with the “wrong” colors were detained, fined, and given prison sentences.
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